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Many years ago I used to have a small photographic darkroom that would be periodically set up in the kitchen so I could make my own black and white prints. I also liked to experiment with photograms - making images on photographic paper with objects or drawings on tracing paper with varying degrees of thickness. Areas of the photographic paper that would receive no light appear white while those exposed through transparent or semi-transparent objects would appear grey. Although the process was exciting the equipment was crude and it wasn't too long before I focussed instead on working with traditional illustration materials. However the photogram process itself has always stayed with me and these days the technology offers the control to realise the kind of images I could only imagine back in the day. This image is based on that process, decreasing the transparency on selected areas.

Although I am not a medical illustrator (which is a specialism) I do get to illustrate medical topics quite often. The point of those illustrations is usually to convey an important health issue to the reader but equally they often provide an opportunity to include anatomical detail. I do enjoy the rendering of organic shapes, hence this small ongoing series of 'Imagined Anatomies'. Essentially an exercise in the grouping of various organic elements and presenting them in a harmonious composition.



A selection of three from initial pen drawings/studies.

This illustration was made for The Wall Street Journal and a piece about how evolution has not perfected our species with the result that we now have all sorts of physical problems. I was asked to predominantly depict a stylized male body with a knee brace and cane, tissues and vitamins.

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Marc from Casual Astronaut got in touch and asked if I would be able to create a cover illustration for the first issue of The Vanguard, a magazine highlighting cancer research and treatment at UT Southwestern in Dallas. The brief was to illustrate the theme of transformative care from lab to patient. I supplied three sketches and this was the one chosen by the client. A request was made to subdue the visibility of the internal organs and to use a green/blue palette for the final artwork.
 

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In addition to the cover image below, Tyler at Security Management magazine asked me to also create a full page illustration and spot to accompany the article on chemical plant protection.

I was asked by Tyler at Security Management magazine to create a cover illustration based on the theme of chemical plant protection - specifically from the elements with flooding being a particular hazard. There was the opportunity to depict something quite dramatic and the idea of the hand lifting the plant from the crashing waves was well-received.

Security Management has a unique cover style: black or vary dark background with a dominant colour. The image here really dictated that blue should be the colour choice.

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It's that time of year again when my agent Rapp|Art publish their new annual catalogue. Thousands of catalogues are sent out to clients with specially designed gift tote bags. This is my spread for the 2018 edition..

This image was for AOPA magazine (Aircraft Owners and Pilots Association). Entitled 'Find Your Voice', this was an article about learning to cope with the vagaries of air traffic control.

Kevin from D Magazine recently got in touch requesting an illustration to go with an article about 'deep brain stimulation'. This is a neurosurgical procedure involving the implantation of a medical device which sends electrical impulses to specific targets in the brain for the treatment of movement and neuropsychiatric disorders.

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A series of images on the theme of identity and how far our facial features determine who we are and how we view ourselves. This started by first adopting the hard, objective, view of the police mugshot but then evolved to be a less distinct, more abstract take on the individual faces.

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